![]() ![]() Sweetwater’s advice: shoot for one master that is maximally translatable across all services - natural sounding, not too hyped in any register, and with peak levels no higher than -0.6dB. Platform, for every one of your songs, is simply impractical. No deadline in sight, the prospect of making a special master for each major And unless you’re working with a million-dollar budget and (streaming and download) available through TuneCore alone, with countless ![]() 1.) Creating Multiple Masters Is Time and Cost Intensive Platforms turns out to be a really, really bad idea for your creative works. ![]() Before you reach for that fader or EQ, let Sweetwater walk you through why mastering for specific Platform TuneCore supports!” you might say to yourself. Know! I’ll create special masters for Spotify, Napster, and every other ![]() Loudness, format, bit rate, and playback curves - and everyone is gunning to be To the Wild West of digital music, where every platform has its own standards. May sound decidedly duller blasting out of your iTunes desktop app. Not only that, but the Kansas-flat EQ curve you managed to achieve in Spotify YouTube’s, not Tidal’s, and your song may come across squashed in translation. There’s only one problem: the target loudness you used is Your final FINALmaster before you hand it off to TuneCore forĭistribution. Mix is slammin’, your band is smilin’, and you’re putting the final sheen on ![]()
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